Rob Roy McGregor is a folk hero of Scotland. He lived a life that was criminal, patriotic and insurrectionist - all completely normal for his time and place.
I'd worked with Michael Caton-Jones, who is Scottish, on two films before Rob Roy - Doc Hollywood and This Boy's Life. I was already fond of Gaelic music, and this film gave me a chance to really sink into it. While Michael was shooting in Glencoe, I was getting to know local musicians such as the band Capercaellie. To broaden our musical reach, Michjael and I agreed that to include Irish as well as Scottish players, and through people like Bill Whelan we connected with Davy Spillane, the Uillean pipe player.
All these folk players were recorded at Windmill Lane Studios, in Dublin, with pints brought in by the boxload from local pubs. Then we moved to Air Studios Lyndhurst in London to record the orchestral parts (Guiness was less a part of this process).
In so many ways it was an amazing experience. The film faced a serious headwind, though, in the form of a competing film about another Scottish folk hero, Braveheart, being released within a month of ours. It meant that Rob Roy never got the attention it might have.
Directed by Michael Caton-Jones
Written by Alan Sharp
Composed by Carter Burwell
Orchestrated by Sonny Kompanek
Conducted by Carter Burwell and Sonny Kompanek
Music Editor: Adam Smalley
Music Scoring Mixer: Mike Farrow
London Contractor: Tonia Davall
Music Consultant Dublin: Bill Whelan
Recorded at Air Lyndhurst Studio, London and Windmill Lane Studios, Dublin
Starring Liam Neeson, Jessica Lange, John Hurt, Tim Roth, Eric Stolz, Brian Cox
U.S. Release April, 1995
The score to Rob Roy was released by Virgin Records. Here, for demo purposes, are some excerpts:
"Rob Roy is a tremendous score, and easily ranks among the best in this particular genre of film score. I recommend this one before it goes out of print." - Roderick Scott, Cinemusic.net
"Carter Burwell's sweeping score and the frequent use of Celtic songs are transparent but largely effective attempts to keep the viewer focused." - David Hunter, The Hollywood Reporter, March 27, 1995.